Ten Reasons Why Roadies would be better than Politicians at Running a Country

1. Roadies can count and remember lots of complicated numbers. Lighting Roadies (“lampies”) frequently walk around for days with the DMX channel numbers for an entire show in their heads, ready to recall them at a moments notice.

There is a common misconception that Sound Roadies can only count to two, however this ignores the fact that they have a mental ledger dedicated to remembering who paid for what at the last petrol station. Tour manager Roadies are good at hotel room numbers and if you were to tell Merchandise Roadies to mind a country’s finances, they would guard them with their life.

Politicians have a tendency to forget and confuse numbers and, when they remember them finally, add extra zeroes at the end.

2. Roadies don’t mind working in the summer. Unlike politicians, roadies will gladly work in July and August. In fact, roadies will work over Christmas also. Another fact; a holiday for a roadie is a late start in a hotel bed. Any longer and it is unemployment.

3. Roadies are always on time. If a Stage Manager Roadie says something will start at this time and finish at that time, it will. With seconds to spare.

4. Unlike a former Irish Taoiseach (Prime Minister), Roadies would never mix up “smoke and mirrors” with “cloak and daggers”. Smoke and mirrors combined can create stunning visual effects and is best left to Lampies. Smoke and daggers combined means a meeting between the props and lighting roadies, which could take days, usually resolved by the Stage Manager Roadie. (see 3 above)

5. Roadies dress better than politicians and have better hair.


6. Roadies can and will give a straight answer to any question in their particular area of expertise. Even the boring ones, such as “do you do this for a living?” or “do you know the band?” will get a short, straight and perfunctory reply. If they don’t know the answer to a particular question, they will helpfully point you in the direction of the person who knows everything – the truck driver.

7. Unlike a present Irish Taoiseach, Roadies have remarkable and unequalled constitutions that allow them to stay up late discussing the happenings of the day yet be capable of fulfilling their duties the following morning.

8. When a Roadie breaks something (and it does happen occasionally), they will, unlike politicians with an economy, fix it. And they will fix it on time (see point 3 above). If a Roadie breaks something and can’t fix it, they will at least have the decency to make an amusing video about it.

9. Like politicians, Roadies make lots of friends in tents in the Summer. However, unlike politicians that does not mean that they will take their money and make lots of unrealistic promises to their new friends before asking the audience to foot the bill in a few years time.

10. Finally, Roadies are resourceful. For example, watch how Roadies can open a bottle of wine with a shoe.

11. Because only Roadies know there will be one more.



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Technical Riders for Newbie Promoters: Part II

The Technical Rider Continued: Backline, Stage, Risers,
Lighting & Crew


In part I of this series, I discussed elements of a standard sound technical rider. This part deals with the rest of the technical rider.

“Backline” concerns itself with the instruments and amplification of the band. Req uirements for DJs operating in a band environment may also be found here. Most often, bands will carry their own backline. However certain circumstances, such as airline restrictions and schedules, may mean that heavier and bulkier items may need to be supplied by the promoter. Drumkits, keyboards and amplification will be listed in order of preference. Finally, keyboard and guitar stands, drum thrones and other hardware will be listed. Touring bands from the US will often need 220-120v transformers onstage for their own equipment as well as American style 3 pin “edison’ adaptors. European acts may look for “schuko” style 2 pin outlets for the same reason. Reputable backline suppliers will be able to provide anything but the strangest request. Many PA companies will also provide backline as part of their service and will be able to offer PA and backline packages.

Before booking an act for your festival or venue, perhaps the first thing to check is that the band will fit on your stage. A well-written rider will have a minimum stage size specified. Just because a certain 5 piece band fits on your stage, it doesn’t mean that every 5 piece band will. Measuring a stage can be done by anyone and costs nothing but your time. Cramped stages have certain knock on effects. If the singer has to stand right in front of the drumkit, he will need more of his own vocal in his monitors. So the singers monitors are louder, all of a sudden the guitarist can’t hear his guitar amp or his backing vocal in his monitors…well you can guess where this is heading. Ultimately cramped stages end up being louder stages, which ultimately affect the front of house sound which your customers are paying to hear.
Most acts will look for low-level stage sections (risers) for drummers, keyboard or brass sections. Cramped stages often mean that risers can’t be used – so the drummer ends up hidden behind the front line singers and guitarists.

If your stage is too small, enquire about hiring extra stage sections. Again, your local production company will be able to help. If your venue is too small to accommodate the minimum stage size requested by the act, then you better get emailing quickly. DON’T ASSUME THE BAND’S CREW WILL WORK IT OUT ON THE DAY. Generally, if you are upfront with a band on any aspect of a rider, they will come to an agreement or be able to work something out in advance of the show.

As I mentioned in part one, touring theatre shows will have an in depth specification of the lighting fixtures required and will forward on a detailed plan of where they are to be hung in advance of the company’s arrival. Lighting for a theatre show is an integral part of the performance and should be treated as importantly as booking flights and accommodation. Lighting riders for bands are generally less specific and many promoters make the mistake of trying to save money by offering minimal lighting. Effective lighting brings atmosphere and excitement to an act’s performance and will add to the audience’s enjoyment. If you want bands and audiences to return to your venue again, make an effort to contact your local professional lighting company to discuss the bands requirements with them.

Unless you are a qualified professional, DO NOT EVER attempt to hire some lights and hang them yourself over the stage or audience area in order to save money.

Finally, a band may require two or more people as crew to help un-load and load their van. Don’t EVER assume that because you have hired a sound guy and a lighting guy that they will do this. They will have enough to do. If a band requires two people, PAY these two people otherwise they will either not show up for the load out, or they will be drunk at the load out, or they may not show up at all. Nothing makes a roadie cranky like the local crew not showing up sober and on time.

NEXT: More stuff on riders for newbie promoters. How the professionals deal with riders. Why heeding the rider makes business sense for a promoter.

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